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Judy at Carnegie Hall
The Cardboard Kingdom
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New York Times
A Very Special Episode, but Maybe Not So Precious
Los Angeles Times
Netflix’s ‘Élite’ is the addictively horny teen drama you need right now
LGBTQ characters on TV used to keep family at arm’s length. Not anymore
Variety
From ‘One Day at a Time’ to ‘Party of Five,’ Latinx TV Shows See a Boost from Existing IP
How The ‘Dora the Explorer’ Effect Helped Usher in a New Wave of Inclusive Animation
The Atlantic
The Refreshing Queer Sensibility of American Gods
Understanding the Women of Pedro Almodóvar’s Movies
RuPaul’s Drag Race and the Art of Self-Love
Electric Literature
How Pedro Almodóvar Turns Self-Plagiarism Into an Art Form
Netflix’s “Tales of the City” Confronts the Queer Community’s Generational Divide
Forget the Sexbots, ‘Westworld’ Is Really About the Power of Reading
How ‘Ingrid Goes West’ Deflates Joan Didion, the Original Millennial White Girl,
Beyond Voiceover: ‘Big Little Lies’ & Female Interiority on TV,
The Hiddleston Man: On the Competing Masculinities of ‘High-Rise,’
BuzzFeed Reader
“Jojo Rabbit” Challenges Knee-Jerk Reactions To Holocaust Stories
“Euphoria” Believes That A Dick Can Just Be A Dick
“The Other Two” Is One Of The Best Shows About Gay Men On TV Right Now
“Schitt’s Creek” And The Return Of The Nice Comedy,
Julia Roberts Isn’t America’s Sweetheart Anymore — And We’re Better For It
Remezcla
Oprah on the ‘American Dirt’ Controversy: “I Am Guilty of Not Looking for Latinx Writers,
Emmys 2019: Few Latinos Nominated, But One Historic Win on TV’s Biggest Night
REVIEW: Argentine Drama ‘Fin de Siglo’ Explores the Changing Face of Gay Male Intimacy
REVIEW: ‘Monos’ Is an Intoxicating ‘Lord of the Flies’-Style Drama Set in the Colombian Andes Mountains
Actresses Yalitza Aparicio and Marina de Tavira on Embodying Alfonso Cuarón’s Memories in ‘Roma,’
Adrian Molina’s Journey From Growing Up Second-Gen to Co-Directing ‘Coco,’ Mexico’s Biggest Box Office Hit
There Are More Latinos on TV, But Is That Really Progress?
Meet the Dancers Who Vogued Their Way Onto Madonna’s Blond Ambition Tour in ‘Strike a Pose’ Doc
How a VHS of ‘Los Sures’ Sparked a Movement to Preserve Williamsburg’s Latino History
Where Are the Latino Film Critics and Why Do They Matter?
Backstage Magazine
Janet Mock on Revolutionizing TV—and Her Artistic Self—With ‘Pose,’
Breaking the Rules With Amy Sedaris
Rachel Weisz: In Pursuit of Greatness
Daveed Diggs and Rafael Casal Are About to Be Your New Favorite Film Duo
Lee Unkrich on Casting Kid Star Anthony Gonzalez for Disney Pixar’s ‘Coco,’
How ‘The Leftovers’ Star Carrie Coon Found Strength in Her Process
Other
Darren Aronofsky’s Rock Star Composer Thinks of Himself as Film’s ‘Ugly Duckling’
How Director Ira Sachs Is Making Our Generation’s Greatest Films About New York
The Bromantic Comedy Finally Grows Up
Why James Baldwin’s Words Matter Now More Than Ever
How Tom Hanks Slowly Became America’s Dad
Being Brando
Mike Nichols’s Disappearing Act
Gay Boys At The Movies: On Almodóvar’s Bad Education
Viola Davis is the best — and only — reason to see Suicide Squad
How Cinema Is Reflecting LGBT Cubans’ New Reality
The Serious Camp of Natalie Portman
‘American Crime’ Is Tackling Male Rape in Season Two — Here’s Why That’s Revolutionary
Samantha Bee’s ‘Full Frontal’ Puts a Feminist Spin on Insult Comedy
Thanksgiving in May, Christmas in August: How Cable and Streaming Remade the Special Holiday Episode
Can Chelsea Handler’s Dinner Parties Revive the Art of Conversation?